Gender and Art

Notes about the book Gender and Art, edited by Gill Perry

• "such histories [modernism] are almost exclusively concerned with the work and activities of male artists, and they are documented and consolidated through a discourse,or set of historical narratives, which has been seen to be 'masculinist'." - Gender and Art, Part 4 Gender, Modernism and Psychoanalysis, Introduction: gender, modernism and feminist art history - Gill Perry (page 195, begins line 22)
• "Most histories of modern art tell us that those artist's groups which have become the focus of French and European modernism before the war, notably the Post-Impressionists, the Fauves and the Cubists, consisted almost exclusivly of male artists who exhibited together in the 'independent' salons or in smaller private galleries." - Gender and Art, Part 4 Gender, Modernism and Psychoanalysis, Case Study 8, The Parisian avant-garde and 'feminine' art in the early twentieth century - Gill Perry (page 199, begins line 1)
• "The Academie Julian, founded in 1868,was one of the most famous schools to provide studios for women. It was one of the few places where could study from the nude in late nineteenth-century Paris, but fees for female students were as much as twice those for male colleagues." - Gender and Art, Part 4 Gender,Modernism and Psychoanalysis, Case Study 8, The Parisian avant-garde and 'feminine' art in the early twentieth century - Gill Perry (page 199, begins line 17)